beef /fizzled

Roxanne Wars: UTFO / Roxanne Shanté / answer records (1984-1985)

utfo vs Roxanne Shanté vs Marley Marl vs the-real-roxanne

Started 1984 Ended 1985 Fizzled Old School

Trigger

UTFO's B-side 'Roxanne, Roxanne' (1984, on Select Records) recounted three rappers being rejected by a woman named Roxanne. A 14-year-old MC from the Queensbridge Houses named Lolita Shanté Gooden — later Roxanne Shanté — recorded a response, 'Roxanne's Revenge,' produced by Marley Marl in one take. The record was released on Pop Art Records in late 1984.

Summary

The Roxanne Wars is the foundational case study of the answer-record format in hip-hop. It began with UTFO's B-side 'Roxanne, Roxanne' (1984, on Select Records), in which three rappers — Kangol Kid, Doctor Ice and Educated Rapper — recounted being rejected by a woman named Roxanne. A 14-year-old MC from the Queensbridge Houses named Lolita Shanté Gooden, later Roxanne Shanté, recorded a response, 'Roxanne's Revenge,' produced by Marley Marl. Per Wax Poetics, the Smithsonian Anthology of Hip-Hop and Rap, and Jeff Chang's Can't Stop Won't Stop, the track was recorded in a single take and released on Pop Art Records in late 1984. What followed was a torrent of answer records — by various estimates between 30 and over 100 by 1985. UTFO and Select Records countered with 'The Real Roxanne,' featuring a different MC (Adelaida Martinez) as 'The Real Roxanne.' Other artists released records as 'Roxanne's Brother,' 'Roxanne's Mother,' 'Roxanne's Doctor,' 'No More Roxanne (Please),' and many more. Per Jeff Chang and contemporaneous coverage, the cycle exhausted itself by saturation by late 1985. The Roxanne Wars is foundational on multiple axes: it established the answer-record as a hip-hop format; it produced one of the first major female MC careers (Roxanne Shanté's, alongside Salt-N-Pepa and MC Lyte in the years immediately following); and it cemented Marley Marl's production reputation, which became the engine of the Juice Crew through the late 1980s. Per the Smithsonian's Hip-Hop (R)Evolutions curation, Roxanne Shanté is treated as one of the pioneering women in commercially released rap.

Diss-track chronology 3

  1. "Roxanne, Roxanne"
    utfo

    On Select Records; the originating record. Not a diss track per se but the trigger for the answer-record cycle.

  2. "Roxanne's Revenge"
    Key track

    Produced by Marley Marl on Pop Art Records; recorded in a single take by 14-year-old Lolita Shanté Gooden. Widely cited by Jeff Chang, Complex and the Smithsonian Anthology of Hip-Hop and Rap as one of the most influential records of the answer-record era.

  3. "The Real Roxanne"
    utfo

    UTFO and Select Records' counter-response, featuring a different MC, Adelaida Martinez, as 'The Real Roxanne.'

Resolution

The exchange fizzled out by late 1985 after more than thirty answer records were released by various artists; per Jeff Chang in Can't Stop Won't Stop and contemporaneous Wax Poetics coverage, the Roxanne Wars effectively ended when UTFO and Select Records stopped responding. No formal reconciliation; the feud is generally treated as a foundational case of the answer-record format that exhausted itself by saturation.

Moments in this beef 1

Citations 3

  1. B
    Wikipedia — Roxanne Wars Retrieved 2026-05-24.
  2. B
    NPR — Roxanne Shanté: The Mother of Female Rappers Retrieved 2026-05-24.
  3. B
    Complex — A History of the Roxanne Wars Retrieved 2026-05-24.

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